Indian
Chess: From Origin To Fame
By K.
R. Banerjee
http://www.newsindia-times.com/sports05.htm
The
Indian Chess
The
Origin
It
is believed that the game of Chess originated in India about 500 A.D. and was
popularly known as “Chaturanga". Literally, "Chaturanga"
in Sanskrit, is a combination word of "Chatur” meaning four and "Anga"
meaning parts or divisions representing "Ratha, Gaja, Turaga, and
Padadi" meaning Chariots, Elephants, Horses and Foot troopers
(Infantry) respectively, which constituted the four divisions of the Army of the
Indian Kings. From India "Chaturanga" moved east to countries
like China along with Buddhism before it travelled west to Persia (Iran) where
it was called "Chatrang”. From there, through Arabs,
who called it “Shatrang” it entered Western Europe via Spain by 9th
or 10th century. The various stages and details of its transformation
to the modern Chess are not known.
It
is also believed that legendary Ravanasura taught “chaturanga” to his
wife Mandodari before his war with Lord Rama to simulate the actual war scenes.
The
Nomenclature and some of the rules of movement of Chess pieces such as Pawn
and special Knight move of King and promotion rules of the Pawns when
they reach 8th or 1st rank of Indian "Chaturanga”
seem to have been retained in medieval Chess played in various countries
especially of the East.
The
modern Chess spread to India during the past 60 or 70 years. Until then,
the elite in the villages and the towns played the traditional Indian Chess. The
nomenclature and rules might have varied slightly from one part of India to the
other because of the different languages spoken in different parts of the
country. The details given below pertain to the Indian chess that was being
played in the state of Andhra Pradesh in South India.
Nomenclature:
The
game of Chess is called the "Chadarangam" in Telugu,
which is the spoken language of Andhra Pradesh. It is derived from the
Sanskrit word "Chaturanga". The chessboard and
pieces are the same as in the modern chess.
The
nomenclature given below is in the Telugu language with its translation in the
English language is second column and modern equivalent in the third
column.
TELUGU
|
ENGLISH
TRANSLATION
|
MODERN
CHESS EQUIVALENT
|
Raju
|
King
|
King
|
Manthri
|
Minister
|
Queen
|
Sekatu*
|
Chariot
|
Bishop
|
Gurram
|
Horse
|
Knight
|
Enugu
|
Elephant
|
Rook
|
Bantu
|
Soldier
|
Pawn
|
Raju
|
King
|
Check
|
Thattu
|
Imprisonment
|
Stalemate
|
*
Derived from Sanskrit word " Sakatam". In Rajasthan in North
India, Bishop is called “Camel “and King is called “Shaw” and “mat”
is used for mate.
Rules
of the Indian Chess game:
Chess
Board
The
Board is the same as in Modern Chess. In modern game the Chessboard is placed in
a manner such that, the right hand corner is White. In Indian chess there
is no such rule and the board can be placed in any manner by which right hand
corner can be Black or White.
The
colour and shape of Indian chess pieces
The
chess pieces are generally made of light Red and light Green colours.
The
shape of Indian chess pieces is in the annexure in Page 6
Placement
of Pieces
In
modern Chess the White Queen has to be placed in white square and the Black
Queen in Black square i.e., both the Queens face each other and also both the
Kings. In Indian Chess the King is always placed on the right side of Queen
either on d8 or e1 and Black King faces White Queen and Black Queen faces
White King. The rest of the pieces are placed as in modern Chess.
The
Rules of Movement
Rules
of movement of Queen, Rook, Knight and Bishop are identical with those of modern
chess. But the movements of King and Pawns differ sometimes from modern chess.
Movement
Rules of King
The
King has the privilege of having the movement of Knight once. This privilege
will be lost even if it is checked even once though the King might not have
moved or even when the
King
is under check. However, if the King moves on its own, the King retains this
privilege.
Rules
of movement of Pawns:
The
two-step initial movement of a pawn is totally absent in Indian Chess i.e., the
Pawn always moves only one step in Indian Chess. Capturing a double –
stepping Pawn “En Passant” is also totally absent.
Promotion
of Pawns:
When
a Pawn reaches 8th or 1st rank it can get promoted only
into the corresponding piece e.g. Pawn reaching a8 or h8 or a1 or h1 can become
only a Rook. Pawn reaching d8 or e8 or d1 or e1 can become a Queen. But
the number of pieces on the board at any time cannot exceed the original number
i.e. two Rooks, two Knights, two Bishops and one Queen. Also if the white Bishop
is live, pawn cannot be promoted to get another white Bishop and similarly one
cannot have two black Bishops. Pawn reaching 8th or 1st
rank remains there immovable till a corresponding piece is captured and the pawn
is converted into that piece. Pawns in d or e files are, therefore, more
valuable than Pawns in other files. A Pawn reaching b1 or b8 or g1 or g8
becomes a Knight and immediately moves like a Knight.
In
modern chess, when a Pawn gets all the way across the board to reach
opponent’s edge of the table, it can be promoted to any piece that the moving
player desires (except King or Pawn). Under normal circumstances, a player
will want to promote his pawn to be a Queen since that piece is most powerful
and flexible. The new piece is placed where the pawn ended its movement. Thus
the player may end up having more than one Queen or more than two Roots or
Knights or Bishops on the Board.
The
Indian Chess Opening:
In
Indian Chess, both the players are allowed initially to start with one movement
each of three different pieces or three movements of the same piece. Capturing
of enemy’s piece during or by those three initial movements is not
allowed. Generally this privilege of three movements initially is used for
castling of the King as described below. In the first three moves either party
is not allowed to give a check to the King.
Castling:
The
special privilege of the King to make the movement of Knight once is quite often
used to move the King to one side of the Board and this is called “Castling”
of King. This castling can be done by both the players, resulting in the
Kings occupying almost diagonally opposite positions.
For
castling the steps are:
1.
|
N
|
f3
|
2.
|
…
|
g3
|
3.
|
B
|
h3
|
4.
|
K
|
g2
(Special Move)
|
5.
|
R
|
f1
|
6.
|
K
|
g1
|
7.
|
B
|
g2
|
This
position can also be achieved by the following steps:
1.
|
N
|
f3
|
2.
|
…
|
g3
|
3.
|
B
|
g2
|
4.
|
R
|
f1
|
5.
|
…
|
e3
|
6.
|
K
|
e2
|
7.
|
K
|
g1
(Special Move)
|
The
position of the King arrived at in “Castling” is similar to “King’s
Indian Defense” played by
Black
in modern chess as played below.
1.
|
N
|
f6
|
2.
|
…
|
g6
|
3.
|
B
|
g7
|
4.
|
…
|
0
- 0
|
It
may be observed that where as this configuration can be arrived in four steps in
modern chess it takes seven steps in Indian Chess.
The
special moves of the King and Rook in King-side castling (short castling) and
Queen-side castling (long castling) are totally absent in Indian Chess.
The
Indian game also has two basic variants called “ Maddat mari” and “Mara
mari”. In the former version any piece having a support
cannot be captured and therefore the game can take days to complete. In the
latter version a piece can be captured even if it has support like in modern
chess
End
game rules:
A
King left with only Pawns cannot be checked. The implication of this rule
is that the weaker party with only King and Pawns can dodge defeat by not moving
Pawns and moving only the King. The stronger party has to completely restrict
the movement of the King without checking, force the pawns to be moved and
when a pawn gets promoted to a piece by reaching 8th or
1st rank, try then to mate the weaker King.
When
a King is left with only one piece that piece is called “Mastu” and
that single piece cannot be captured. So the single piece goes on attacking and
capturing opponent’s pieces with immunity. This is a situation, which has to
be avoided by stronger party. If the single piece happens to be Queen or Rook,
the hither-to weaker party becomes all too powerful. “Single-piece
situation” with especially Queen or Rook has to be avoided at all costs. So
pawns in d or e or a and h files reaching 8th or 1st ranks
have to be stopped by blocking their advance and forced into c or f or b or g
files by sacrificing a piece if necessary and blocking King’s movement before
hand.
Stale-mate:
The
rules regarding stale-mate in Indian chess are the same as in modern chess.
Conclusion:
The
development in Indian game is slow because of the absence of two-step initial
movement for Pawns, though it is partially compensated by allowing both parties
to have the privilege of three movements to start with. The castling in Indian
game corresponding to King’s Indian defense of Modern chess is also a little
slow.
In
modern game the stronger party becomes even stronger and therefore the weaker
party resigns without fighting to the end. In Indian Chess the end game rules
give the weaker party many privileges to fight back and even win against the
stronger party and it is a “Dharma Yuddham” (righteous battle). It
definitely needs more mental skills to win or defend in Indian chess. The
prohibition on checking the King if it is left only with the Pawns and the “Mastu”
situation are worth examining quite seriously by research-minded chess players
for future modification and incorporation in modern chess.
Annexure
Indian
Chess Pieces

Author:
The author of this article, Mr. K.R.Banerjee, is 72 years old. He learnt
Indian Chess in his
7th year and played Indian Chess till his 17TH
year. He switched over to playing the modern Chess after the 17th
year. He won several tournaments in India and in Armenia of erstwhile
U.S.S.R at Master of Sports level.
In this article Mr. Banerjee explains the differences between the Indian
way of playing Chess Vs Modern Chess.
People who are interested in learning more about the Indian chess, may
contact
Mr. Banerjee via email at “krb1933@yahoo.com”
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